I (Don Rickert) am in the March/April issue of Strings Magazine! I am honored to have been one of several experts interviewed for the article, A Pocket Full of Sound, by Karen Peterson in the March/April 2023 issue of Strings Magazine (No. 311, March/April 2023). I wish I could share the entire article here, but I am pretty sure that that would be a copyright violation. That being said, I feel pretty good about how my comments about the 18th Century pochette were incorporated into the article. Hats off to the author Karen Peterson for an excellent piece. Unless you are a Strings Magazine subscriber, or chose to spend $10 to download the March/April 2023 issue, you won’t be able to see it, at least now here. I can, however, summarize the key points: The pochette was a tiny violin-like bowed instrument that was usually tuned to a higher pitch than a regular violin. Note: Many pochettes, especially later ones, while still having a very small body, had disproportionately long necks, which made possible the same vibrating string length of a full-size violin, and thus, enabling them to be tuned to regular violin pitch. The tuning pitch of the Baroque period was a bit lower than modern pitch. The pochette dates back to the 1500s, when, in its primitive form, was often played by street musicians. During the reign of Louis XIV (the Sun King) beginning in the late 17th Century, the pochette came into its own among the aristocratic...
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